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Aftershow for the show “The Boys” featuring members of the cast, creative team and other special guests.
Jennifer, an Australian girl on the run from her past, turns up in Amsterdam and, in a desperate attempt to blend in, joins a coach-load of tourists on a tour of Holland’s old windmills. When the bus breaks down in the middle of nowhere, she and the other tourists are forced to seek shelter in a disused shed beside a sinister windmill where a devil-worshiping miller once ground the bones of locals instead of grain. As members of the group start to disappear, Jennifer learns that they all have something in common – a shared secret that seems to mark them all for doom.
Shirley has left the big city to live in a small seaside town and look after her elderly grandmother. She drives a tractor on a local coconut plantation, loves rock music and wants to be a tattoo artist. She feels trapped in the tiny coastal village. She is involved with Jeison, who also works on the coconut farm and who free dives for lobster and octopus in his spare time.
Thomas Riedelsheimer’s landmark Rivers and Tides inventively documented artist Andy Goldsworthy as he created his wondrously ephemeral site-specific sculptures, spun from nature. Fifteen years later, Goldsworthy is still appealingly engaged in his philosophical and tactical exploration of the natural world. Leaning Into the Wind is a collaborative sequel—a visual and aural sensation that takes viewers into the hillsides, terrains, and other outdoor spaces where Goldsworthy feels most at home and inspired.
A documentary focused on Orson Welles’ fifteen years spent trying to finish his final film, The Other Side of the Wind.
A documentary detailing the effort dedicated filmmakers went through to bring Orson Welles final feature film, The Other Side of the Wind into the public conscience
Darren, Lou, Jo and Mas live a meager existence on the fringes of poverty. Indebted to the criminal kingpin of their social housing development, they routinely fear for their lives. On the other side of town, the already wealthy Marcus and his disabled brother Clive receive a windfall in the form of a winning lottery ticket. When their worlds collide following a botched robbery, the would-be criminals get more than they bargained for, and will be tested to their limits in a desperate attempt to survive a predator of monstrous proportions.
When immigrants Attila and Jana resettle in a rural Australian town as part of a government policy to populate isolated areas, they consider themselves lucky. Although they must work on a wind farm in the middle of nowhere, they have each other, and soon, a family. Problems with narrow-minded locals, the isolation, backbreaking labor and immigration officials are the least of their worries when bad things begin to happen to the animals and people in town. As the situation escalates, and fear begins to motivate them, Attila and Jana begin to wonder – are the Turbines only onlookers or guilty of the unthinkable?
Freshly hatched bee Maya is a little whirlwind and won’t follow the rules of the hive. One of these rules is not to trust the hornets that live beyond the meadow. When the Royal Jelly is stolen, the hornets are suspected and Maya is thought to be their accomplice. No one believes that she is the innocent victim and no one will stand by her except for her good-natured and best friend Willy. After a long and eventful journey to the hornets hive Maya and Willy soon discover the true culprit and the two friends finally bond with the other residents of the opulent meadow.
Predicated on a May-December romance. The difference here is that the woman, attractive widow Cary Scott, is considerably older than the man, handsome gardener-landscaper Ron Kirby. Throwing conventional behavior to the winds and facing social ostracism, Cary pursues her romance with Ron, who is unjustly perceived as a fortune-hunter by Cary’s friends and family — especially her priggish brother Ned.
When yet another anniversary passes without a marriage proposal from her boyfriend, Anna decides to take action. Aware of a Celtic tradition that allows women to pop the question on Feb. 29, she plans to follow her lover to Dublin and ask him to marry her. Fate has other plans, however, and Anna winds up on the other side of the Emerald Isle with handsome, but surly, Declan — an Irishman who may just lead Anna down the road to true love.
When stricken with a terminal disease, Young-su leaves his careless high life in the city, live-in girlfriend and dwindling business. He retreats to a sanatorium in the countryside in order to treat his illness, where he meets a young woman who is a resident patient there. Soon they develop feelings for each other and leave the sanatorium together to live in a small but cozy farm house. Their health improves dramatically but when Young-su’s friends from the city come for a visit, he starts to wonder if he should abandon mundane rural village and return to his former lifestyle.
Kyle (Markiss McFadden), one of the many orphans raised in an orphanage by Father Antonio (Paul Sorvino) is an assassin who is sent on missions; from God. For years Father Antonio led these boys to believe they are killing in the name of God. Kyle was one of the best executioners of Father Antonio’s men. After placing a bomb in a little coffee shop to execute the owner a little boy Matthew (Aiden Wind) and his mother walks in the restaurant just seconds before the explosion. Kyle decided to save both of them but unfortunately he was only able to save the little boy. A reluctant Kyle takes him in and keeps him hidden for seven days. Through a very complex relationship Kyle discovers a different side in him he didn’t know existed. With all the fights, bullets flying, and explosions it’s going to be harder than he thought keeping Matthew safe. But with the help of Kyle’s beautiful neighbor Tara (Mischa Barton) it just might be possible.
If you put everything about the 80s in a blender, then somehow ran the resulting smoothie through a translator that only speaks languages from another dimension, what you’d wind up with still wouldn’t be half as hilarious, weird, and oddly charming as Miami Connection. It’s 1987, and the Biker Ninjas behind the Miami drug trade are finding themselves facing the newest heroes in town: the Taekwondo-loving rock band Dragon Sound! They’ll focus all of their black belt skills, alongside performing their hit songs “Friends” and “Against the Ninja” at a popular Orlando night club – to end the threat of Ninja Biker violence once and for all!
Due to climate change a new race of flesh eating predators arise, who invade and eat everything living on earth. In a residential neighbourhood in a Danish suburb nightmare like scenes are being experienced first hand through the eyes of two teenage brothers, who can’t stand each other, but are now suddenly forced to barricade themselves in the basement together, to avoid getting eaten. From one day to another, without parents and without electricity, food, water and contact to other people, the brothers have to learn to live together in their vital protection bunker, while monsters move past the basement windows and heavy, sharp claws can be heard moving around upstairs on the wooden floors.
Away from professional stadiums, bright lights, and manicured fields, there’s another side of soccer. Tucked away on alleys, side streets, and concrete courts, people play in improvised games. Every country has a different word for it. In the United States, we call it “pick-up soccer.” In Trinidad, it’s “taking a sweat.” In England, it’s “having a kick-about.” In Brazil, the word is “pelada,” which literally means “naked”—the game stripped down to its core. It’s the version of the game played by anyone, anywhere—and it’s a window into lives all around the world. Pelada is a documentary following Luke and Gwendolyn, two former college soccer stars who didn’t quite make it to the pros. Not ready for it to be over, they take off, chasing the game. From prisoners in Bolivia to moonshine brewers in Kenya, from freestylers in China to women who play in hijab in Iran, Pelada is the story of the people who play.
Johnny and Tanner are two brothers raised in a violently dysfunctional family, with a brutal psychopath for a father. One day, their father’s abuse of their mother goes too far and tragedy strikes. Tanner winds up in jail, and Johnny is sent to a foster home, where he finally knows a stable life and a caring family. Years later, Johnny (Scott Waugh) is a college student with good marks and good prospects ahead of him, while Tanner (Sean Graham) is trying to dig himself out of a life of crime. Tanner calls Johnny and asks him for a favor — he’d like his brother to vouch for him in a hearing with his parole officer in Hollywood. Johnny agrees, but then discovers that the hearing isn’t in nearby Hollywood, CA, but on the other side of the country in Hollywood, FL. A promise is a promise, and Johnny and Tanner hop in Tanner’s ancient Lincoln Continental with only 12 dollars to their name, hoping the fates will guide them safely to the East Coast.
A girl, Selinda, runs into her parents’ bedroom in the middle of the night, claiming that a strange man just climbed through her window. The event causes a commotion in the entire residential area where they live. Some immediately assume that the outsider running the convenience store is the perpetrator. Others doubt the girl’s story. In the midst of this drama, middle-aged Paul is trying to find his way back to his daughter, who is growing up, and away from him.
Josh, a small town carpenter, finds himself at the center of a national media story when his touch brings a twelve year-old boy, who fell into a freezing lake, back to life. Although many consider it a miraculous act, Josh isn’t convinced he has done anything special – even after he seemingly heals several others. Thrust into a whirlwind he never expected, Josh must make a decision that could change his life and the lives of those he cares about most.
